REMEMBER IT FROM:

As the third prong of their mind-game-con to land him in the slammer, Kelly annoyingly rear-ends gambler/thief Roy David just as he's coming home with a trunk full of stolen cash.

FEATURED IN THIS EPISODE:

"The Big Tap-Out", Season 1
"Angel's Child", Season 4

EXCLUSIVE VIDEO: THEN & NOW:

LOCATION NOTES:

Don't worry about them travelling far - this was filmed at a small intersection just feet away from the 20th Century Fox Studio gates.

Interesting to note that for its appearance in Angel's Child, we're supposed to think this is the street right outside the Townsend office. Kelly leaves the office and the next shot is of her walking at this intersection and getting into her car, and the bad guys watching from across the street confirm that she "just came out of a place called Townsend Associates". Would it really have been that difficult to get a shot of Kelly at the real office building 3 miles away?

THEN & NOW PHOTOS:

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THE INTERIOR:

Aside from failing to even vaguely conform to the shape of the real house front, Kelly's interior appears to go through frequent, massive renovations. The set is different nearly every time we see it!

Angels Belong in Heaven gives us our first good look inside her house... which appears to be built almost entirely out of the set of Kris's beach house. Note the two windows, and bookcase thing strategically placed over the door-shaped indentation in the wall where Kris's front door usually stands in between. Furthermore, the entire living room wall and bedroom are Kris's as well - note the same wallpaper that can be glimpsed through the doorway. Really the only difference is the front window, re-created faithfully enough for the bad guy to get shot through without ruining continuity in street shots.

Fast-forward to Avenging Angel, and Kelly's house has shed Kris's double-windowed wall, and grown a kitchen there instead. Alas, the kitchen appears to be mostly built out of Kris's as well. We get our first look inside Kelly's bedroom, which has a giant window alongside her bed and a door to the bathroom opposite.

Eleven episodes later, we're back in Kelly's house for Angel's Child. Miraculously, the living room is the same as we last saw it, however the bedroom is quite different even beyond its new yellow paint. Her bathroom has migrated from one wall to the other, and the giant window has shrunken and taken the bathroom's original place (so that little Greg can escape through it). It's great how they paid no attention to the structure of the house, but sure did their research on that little mirror on the wall - that sucker is right where we left it.

Our final look inside Kelly's house is One Love... Two Angels, and it's almost disappointing to see it has no more tricks up its sleeve - all we see is the living room, and it hasn't changed.

Below are diagrams showing the approximate layout of each set. We're not an architects, so dimensions are not precisely accurate, but you'll get the idea. Dotted lines represent assumed walls which were never seen.

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MAP AND ADDRESS:

Tennessee Ave & Fox Hills Drive
Century City, CA 90064

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